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Effective Speaking Studio
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Personal tuition for adults in
elocution and public speaking
• Develop confidence
• Understand the importance of eye contact, gesture and body language
• Discover your true potential
• Explanations, exercises and demonstrations on a one-to-one basis
• Learn how to develop a well-modulated and effective voice
• Dispense with slang and sloppy speech
• Correct diction and soften accents
• Banish mumbling
• Enhance your career
• Gain control of your voice, life and audiences
• Ensure that your voice is audible, can be understood and is interesting
• Overcome anxiety, shyness and fear of being heard
Receive advice about the structuring of speeches
'preparation and presentation'
Rehearse for that special day
Please contact me to arrange tuition
Margaret Calland B.A. (Hons), M.A., L.G.S.M., A.N.E.A.
'Effective Speaking Studio'
Chandler's Ford, Eastleigh, Hampshire
Telephone: 02380 254510
Email: macalland@googlemail.com
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Deborah Calland has given trumpet and organ recitals in the USA, France, Germany, Denmark, Finland and Iceland, as well as venues throughout the United Kingdom, and has performed concertos with, among others, the Singapore Symphony Orchestra, the Virtuosi di Kuhmo (Finland) and the Britten Sinfonia. She has appeared as a recitalist at many of the major festivals in England, such as the Cheltenham and City of London and is currently collaborating with Edward Rushton on an innovative multi-media work for soloists, actor and video, to be premiered at festivals in 2008-9. She has a special interest in contemporary music and has played an active role in increasing the repertoire for the instrument. Compositions have been written for her by the British composers Hugh Wood, Robin Holloway, Sally Beamish, Diana Burrell, Jonathan Dove, Huw Watkins, Rhian Samuel, and John Hawkins, as well as the Finnish composer Einojuhani Rautavaara and Bent Lorentzen from Denmark. She has also been given British premieres of works by Peter Sculthorpe and Aulis Sallinen. At the 2002 Hampstead & Highgate Festival she and her sister Beverley Calland gave the world premiere (highly praised by critics) of Jonathan Dove's Moonlight Revels, a concerto for trumpet, saxophone and strings. A CD of contemporary British music for trumpet and organ, recorded by Deux-Elles at Douai Abbey with organist William Whitehead, was released in 2006. Her publications include: Top Brass, Onstage Brass, Carmen Suite and two volumes of The Light Touch for Stainer and Bell, plus Trumpet All Sorts, Fingerprints and First Repertoire and Concert Repertoire for Faber Nusic. Several of these are represented on the Associate Board and Trinity syllabuses, and she has also written the Trinity sight-reading practice book, Sound at Sight.
Margaret Calland and the effectivespeakingstudio supports the Wagner Journal. The Wagner Journal is a new periodical that seeks to examine Wagner and his works from a variety of perspectives – musicological, historical, literary, philosophical and political – and to illuminate the unique appeal of this endlessly fascinating composer. The journal aims to bring the questions surrounding the theory and practice of staging and performing Wagner to a wider audience, in that way furthering our understanding of his operas as theatre.